Cantus Organi · Proprium de Tempore

Dominica VI Post Pentecosten

Dominica VI Post Pentecosten· printed pp. 157–160· 34 systems

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Dominica VI Post Pentecosten, mode not recorded, organ accompaniment from Nova Organi Harmonia, part II, pp. 157–160, shown as 34 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

DOminus fortitúdo plebis suae, et protéctor salutárium Christi sui est : salvum fac pópulum tuum, Dómine, et bénedic hereditáti tuae, et rege eos usque in saéculum. Ad te Dómine clamábo, Deus meus ne síleas a me : nequándo táceas a me, et assimilábor descendéntibus in lacum. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

COnvértere Dómine aliquántulum, et deprecáre super servos tuos. Dómine refúgium factus es nobis, a generatióne et progénie.

Text source: GregoBase

Music from Sabbato Quattuor Temporum Quadragesimæ, Nova Organi Harmonia, part I, pp. 193–201 (rubric cites Nova Organi Harmonia, part I, p. 197).

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Gradual: the music, typeset

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Chant text · Latin

Allelúia. In te Dómine sperávi, non confúndar in aetérnum : in tua justítia líbera me, et éripe me : inclína ad me aurem tuam, accélera ut erípias me.

Text source: GregoBase

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Alleluia: the music, typeset

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Chant text · Latin

PErfice gressus meos in sémitis tuis, ut non moveántur vestígia mea : inclína aurem tuam, et exáudi verba mea : mirífica misericórdias tuas, qui salvos facis sperántes in te, Dómine.

Text source: GregoBase

Music from Dominica in Sexagesima, Nova Organi Harmonia, part I, pp. 138–144 (rubric cites Nova Organi Harmonia, part I, p. 143).

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Offertory: the music, typeset

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Chant text · Latin

CIrcuíbo, et immolábo in tabernáculo ejus hóstiam jubilatiónis : cantábo, et psalmum dicam Dómino.

Text source: GregoBase

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Communion: the music, typeset

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